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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)联合书法
品名(英)Joint Calligraphy
入馆年号2015年,2015.784.8
策展部门亚洲艺术Asian Art
创作者Huang Daozhou【1585 至 1646】【中国人】
创作年份公元 1632
创作地区
分类书法(Calligraphy)
尺寸图像: 10 11/16 x 57 3/4 英寸 (27.1 x 146.7 厘米) 整体 with mounting: 10 13/16 x 357 7/16 英寸 (27.5 x 907.9 厘米)
介绍(中)这卷卷轴证明了两人早期的友谊和相互钦佩,他们都在 1622 年获得了"赠送学者"(晋士)学位,并继续成为政治改革的直言不讳的代表。它以黄玲俏皮地描述了两个朋友书法之间的相似之处。他说,直到他研究倪的文字,他才形成自己的风格,但他也叙述了倪是如何对黄对他的书法的影响提出同样的说法的。黄炳最后说,倪成为高官后,几乎不可能从他那里得到一件书法。倪元璐的回答,附在同样长度的缎子上,同样带着讽刺的语气。两人的书法风格都源自正统的模型,但具有强调的棱角分明——斜握画笔的尖锐"侧尖"笔触——据说反映了他们有力的个性。
介绍(英)This scroll is a testament to the early friendship and mutual admiration of the two men, both of whom earned their "presented scholar" (jinshi) degrees in 1622 and went on to become outspoken exponents of political reform. It opens with a playful description by Huang of the similarities between the two friends' calligraphy. He states that he did not arrive at a style of his own until he studied Ni's writing, but he also recounts how Ni had made the same claim about Huang's influence on his calligraphy. Huang ends by remarking that after Ni became a high official, it was nearly impossible to obtain a piece of calligraphy from him. Ni Yuanlu's response, appended to the same length of satin, takes an equally sarcastic tone. Both men's calligraphic styles derive from orthodox models but have an emphatic angularity—with sharp, "side-tip" strokes made by holding the brush obliquely—that is said to reflect their forceful personalities.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。