十二个月的中国诗歌 - 美国大都会艺术博物馆展品查阅

品名（中）	十二个月的中国诗歌
品名（英）	Chinese Poems for the Twelve Months
入馆年号	2016年，2016.747a–l
策展部门	亚洲艺术（Asian Art）
创作者	Gion Nankai【1677 至 1751】【日本人】
创作年份	公元 1737 - 公元 1739
创作地区
分类	书法（Calligraphy）
尺寸	图像 (each): 50 1/2 × 20 3/4 英寸 (128.3 × 52.7 厘米)
介绍（中）	Gion Nankai被认为是十八世纪初文人书画运动的伟大先驱之一，也是他那一代中国最有才华的诗人之一。南开的这一系列十二首诗，每首都以与一年中的相关月份有关的季节性主题为主题，呈现出一系列令人印象深刻的中国书法风格。它是对十八世纪文人书法的启发和影响的中国书法风格的视觉记录，从用于抄写十月诗的古代隶书（江户时代以前在日本很少使用），以及伟大的北宋书法家黄庭坚（裴望：1045-1105）在三月诗中表现出的旺盛的笔触。元代书法家赵孟頫（1254–1322）对南开的书法实践产生了压倒性的影响但迄今为止，对南开及其同时代人影响最大的是前一两个世纪的明代书法，这位诗人兼书法家在他所模仿的某些纸张的铭文中注意到：第四个月：董太石（董其昌；1555-1636）第五个月：张瑞图（1576-1641）第八个月：翁恒山（翁正明；1470-1559）九个月：王白骨（1535-11612）
介绍（英）	Gion Nankai is counted as one of the great pioneers of the Bunjin (Literati) painting and calligraphy movement of the early eighteenth century, and recognized as one of the most talented poets in Chinese of his generation. This series of twelve poems by Nankai, each on a seasonal theme related to the relevant month of the year, is rendered in an impressive array of Chinese calligraphy styles. It serves as a visual record of the Chinese calligraphy styles that inspired and influenced literati calligraphy of the eighteenth century, ranging from the archaic clerical script (rarely practiced in Japan in pre-Edo times) used to transcribe the poem of the tenth month, and that of the great Northern Song dynasty calligrapher Hwang Tingjian (Pei Wang: 1045–1105) represented in the exuberant brushwork of the third month poem. The Yuan dynasty calligrapher Zhao Mengfu (1254–1322) was an overriding influence throughout Nankai’s calligraphy practice. But by far the greatest influence on Nankai and his contemporaries was Ming calligraphy of a previous century or two, and the here the poet-calligrapher notes in the colophon of the inscriptions of certain sheets whose style he was emulating: Fourth month: Dong Taishi (Dong Qichang; 1555–1636) Fifth month: Zhang Ruitu (1576–1641) Eighth month: Weng Hengshan (Weng Zhengming; 1470–1559) Ninth month: Wang Baigu (1535–1612)