Termae Antoniane Imp.（原Palatium Se Lugduni），来自一系列24座描绘（重建）罗马古代建筑 - 美国大都会艺术博物馆展品查阅

品名（中）	Termae Antoniane Imp.（原Palatium Se Lugduni），来自一系列24座描绘（重建）罗马古代建筑
品名（英）	Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
入馆年号	2016年，2016.684.8
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, 16th century【1500 至 1600】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	印刷品（Prints）
尺寸	页: 13 3/8 × 9 5/16 英寸 (34 × 23.6 厘米)
介绍（中）	一座处于废墟状态的建筑的透视图，在这里被称为"Palatium Se Lugduni"，但在后来的状态中改为"Termae Anonianae Imp"。后者指的是现在更普遍地被称为卡拉卡拉浴场的建筑群，事实上可能是这幅版画来源的正确标识。然而，这并不能否定这样一个事实，即版画家可能有意描绘巴黎市的一座罗马建筑，因为这一系列中的大多数版画似乎都是作为ekphrasis的一种形式制作的，并且已经多次使用了现有建筑的元素该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了目前的印刷品是在标题之前的一个州，第二个州的标题是"Palatium Se Lugduni"（指巴黎克吕尼三世的废墟），目前的标识是"Termae Antonianae"。由于损坏，板材边缘被切割或锉削了几次，结果右边的冷杉树在后来的压痕中尺寸变小了。
介绍（英）	Perspectival view of a building in its ruined state, referred to here as the ‘Palatium Se Lugduni’, but changed in a later state to ‘Termae Anonianae Imp’. The latter, which refers to the complex now more generally known as the Baths of Caracalla may in fact be the correct identification of the source used for this print. This does not negate the fact that the printmaker may have intended to depict a Roman building in the city of Paris, however, as most of the prints in this series appear to have been made as a form of ekphrasis, and elements from existing architecture has been used on several occasions. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. The current print is known in a state before title, a second state with the title ‘Palatium Se Lugduni’ (refering to the ruins of Cluny III in Paris) and the current identification 'Termae Antonianae'. Due to damages, the plate edges were cut or filed several times, and as a result the fir tree on the right diminishes in size in later impressions.