帕拉提乌姆·M·阿格里帕（Palatium M.Agrippa），来自一系列24座描绘（重建）罗马古代建筑 - 美国大都会艺术博物馆展品查阅

品名（中）	帕拉提乌姆·M·阿格里帕（Palatium M.Agrippa），来自一系列24座描绘（重建）罗马古代建筑
品名（英）	Palatium M. Agrippa, from a Series of 24 Depicting (Reconstructed) Buildings from Roman Antiquity
入馆年号	2016年，2016.684.11
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Anonymous, Italian, 16th century【1500 至 1600】【意大利人】
创作年份	公元 1530 - 公元 1550
创作地区
分类	印刷品（Prints）
尺寸	页: 13 3/8 × 9 5/16 英寸 (34 × 23.6 厘米)
介绍（中）	皇帝Marcus Agrippa宫殿正面视图，如左下角的铭文"Palatium M.Agrippa"所示。粗糙的外墙由三层楼组成，顶部是一个带拱门和小圆窗的阁楼。立面分为四个隔间，每个隔间都有一扇通向外部的窗户或门。窗户两侧是双层多立克柱式。沿着建筑物的侧面和顶部可以看到损坏。目前尚不清楚这一演绎是基于罗马的一座特定建筑，还是版画家是基于历史资料中对宫殿的描述，依靠自己的想象力该版画是一组建筑版画的一部分，描绘了罗马古代的建筑，从凯旋门到意大利、法国和西班牙的澡堂、寺庙和宫殿。其中一些建筑是根据中世纪的描述进行人工重建的，而另一些则被描绘成毁灭性的状态。已知这些板块有几种（未编目的）状态，并且随着时间的推移发生了微小的变化。一些建筑的名称被更改了，由于板块裂缝和氧化，这些板块被裁剪了这个系列的大多数铜板都是两面雕刻的。然而，这张照片的尺寸与其他任何一张照片都不匹配。它的verso可能包含一个不同主题的作文。
介绍（英）	Frontal view of the façade of the palace of Emperor Marcus Agrippa, as indicated by the inscription ‘Palatium M. Agrippa’ in the lower left corner. The rusticated façade consists of three stories crowned by an attica with arches and small round windows. The façade is divided in four bays each with a window or door open to the exterior. Double Doric pillars flank the windows. Along the sides and top of the building damage is visible. It is not clear whether this rendition is based on a specific building in Rome, or whether the printmaker is relying on his imagination, based on a description of the palace in an historic source. The print is part of a group of architectural prints depicting buildings from Roman Antiquity, ranging from triumphal arches to bath houses, temples and palaces in Italy, France and Spain. Some of the buildings have been artificially reconstructed based on Medieval descriptions, while others are depicted in their ruinous states. The plates are known in several (uncatalogued) states, and have undergone minor changes over time. Several titles of buildings have been changed, and the plates have been cropped as a result of plate cracks and oxidation. Most copper plates for this series have been engraved on both sides. This print, however, does not match any of the other prints in size. Its verso may contain a composition for a different subject.