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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)弗林特洛克手枪对
品名(英)Pair of Flintlock Pistols
入馆年号2018年,2018.856.14.1, .2
策展部门武器和盔甲Arms and Armor
创作者Claude Martin【1735 至 1800】
创作年份公元 1781 - 公元 1791
创作地区
分类火器手枪燧石(Firearms-Pistols-Flintlock)
尺寸Pistol (a): 长 13 1/2 英寸 (34.3 厘米); 长 of barrel 7 15/16 英寸 (20.2 厘米); Cal. .62 英寸 (15.74 毫米); 重 2 磅 1.7 盎司 (955 g); pistol (b): 长 13 3/8 英寸 (34 厘米); 长 of barrel 7 15/16 英寸 (20.2 厘米); Cal. .61 英寸 (15.49 毫米); 重 2 磅 0.9 盎司 (932 g)
介绍(中)这些手枪上有标记,表明它们是在印度勒克瑙的兵工厂制造的,由兵工厂总监克劳德·马丁指导,他从1776年到1800年去世,一直监督着那里的印度工匠生产枪支。虽然这一时期的许多豪华武器包括装饰精美的底座和银和金的镶嵌物,但这些手枪除了具有这些特征外,还具有坚固的银制枪管和锁板,这是非同寻常的。旋塞、钢制、扳机、钢制弹簧和锁的内部部件是钢制手枪的唯一金属部件

Martin,法国学者、发明家、知识分子、藏书家、建筑师、冒险家、艺术赞助人、投资者和士兵,自25岁起在英国统治下的印度担任过各种军事和行政职务。他出生于法国里昂,在1760年本地治里围城期间叛逃至英国军队,此后在英国军队中稳步晋升,与阿瓦达的纳瓦布建立了密切的关系,并与有影响力的政治家、艺术家和商人交上了朋友,在此过程中积累了可观的个人财富。几十年来,马丁对阿森纳的控制使他能够主导该地区利润丰厚的武器交易。在鼎盛时期,它雇佣了七十五名专业工人,生产手枪、运动枪和其他个人枪支,以及大炮和迫击炮

在展示质量上,博物馆的手枪得到了全面的装饰。平底锅的下侧刻着勒克瑙ARSENAL,光滑膛炮式的铸银枪管上刻着L.COL.CLAUDE.MARTIN.MARTIN。马丁在1782年至96年间担任中校,这表明手枪可以追溯到这一时期。在马丁领导下的兵工厂生产的所有枪支在生产时都刻上了他的名字和军衔;这些标记并不表示个人所有权

几十年来,手枪原主人的身份一直是学者们争论的焦点。埃塞克斯郡奥德利庄园布雷布鲁克勋爵收藏的手枪来源以及一些间接证据支持了一种流行的理论,即马丁在1786年访问印度时将手枪赠送给了总督康沃利斯勋爵(1738-1805)。一对几乎一模一样的手枪幸存下来,其表壳上有马丁的朋友亚历山大·罗斯将军(1742-1827)的首字母和徽章,他是总督康沃利斯勋爵的副官,一直保留到2012年,这表明如果马丁向两人赠送了一模一样的手枪,博物馆的手枪可能就是康沃利斯手枪

虽然马丁手枪上有勒克瑙的标记,但有一对银制枪管,至少13年前,枪械制造商Joseph Heylin(1730–1801)在伦敦制造的带有相同底座的银制锁枪套手枪,其装饰方式与Martin对几乎相同,这让人怀疑Martin对实际上是否全部或部分在伦敦制造,然后标记为看起来像完全在勒克瑙制造(关于Heylin对,见J.F。海沃德,《枪手的艺术》,第2卷,1660-1830页(伦敦,1963年),第203-4页,第341页,第65页)。尽管这仍然是一个悬而未决的问题,但马丁鞋的库存所用的木材要么是中等质量的紫檀木,要么是红木,与海林鞋相比,它们的装饰饰面质量表明,马丁鞋确实完全在勒克瑙制造,或者至少在勒克瑙完成,遵循海林手枪的样式,使用当时已有十多年历史的支架(或其模具)。
介绍(英)These pistols bear markings indicating they were made in the Arsenal at Lucknow, India, under the direction of Arsenal Superintendent Claude Martin, who oversaw the production of firearms by Indian craftsmen there from 1776 until his death in 1800. While many luxury arms of this period include finely decorated mounts and inlay of silver and gold, these pistols are extraordinary for having, in addition to those features, solid silver barrels and lock-plates. The cock, steel, trigger, steel spring, and internal components of the lock are the only metal parts of the pistols made of steel.

Martin, the French polymath, inventor, intellectual, bibliophile, architect, adventurer, art patron, investor, and soldier, held various military and administrative positions under the British in India since he was twenty-five years old. Born in Lyon, France, he defected to the British forces during the siege of Pondicherry in 1760, thereafter steadily climbing through the ranks of the British military, fostering close ties to the Nawab of Awadha and befriending influential politicians, artists, and merchants, and in the process amassing a considerable personal fortune. For decades, Martin’s control of the Arsenal allowed him to dominate the lucrative arms trade in the region. At its peak, it employed seventy-five specialized workmen, producing pistols and sporting guns and other personal firearms, as well as cannons and mortars.

Of presentation quality, the Museum’s pistols are comprehensively embellished. The undersides of the pans are engraved LUCKNOW ARSENAL, and the smooth-bore cannon-style barrels of cast silver are engraved L.COL.CLAUDE.MARTIN. Martin held the rank of Lieutenant Colonel from 1782–96, indicating that the pistols date to this period. All firearms made in the Arsenal under Martin were inscribed with his name and rank at the time of their production; the marks are not an indication of personal ownership.

The identity of the pistols’ original owner has remained a persistent question among scholars for decades. A prevailing theory supported by the pistols’ provenance from the collection of the Lords Braybrooke at Audley End House in Essex as well as pieces of circumstantial evidence is that Martin presented the pistols to Governor-General, Lord Cornwallis (1738–1805) upon his visit to India in 1786. The survival of a nearly identical pair of pistols complete with a case bearing the initials and crest of Martin’s friend General Alexander Ross (1742–1827), aide-de-camp to Governor-General, Lord Cornwallis, retained within the Ross family until 2012, suggests that if Martin presented identical pairs to both men, the Museum’s pistols could be the Cornwallis set.

Though the Martin pistols bear Lucknow markings, the existence of a pair of silver-barreled, silver-locked holster pistols with identical mounts made in London by the gunmaker Joseph Heylin (1730–1801) at least thirteen years earlier and decorated in a manner nearly identical to the Martin pairs calls into question whether the Martin pairs may have in fact been made in whole or in part in London and then marked to appear as if made entirely in Lucknow (for the Heylin pair, see J. F. Hayward, The Art of the Gunmaker, v. 2, 1660 - 1830 (London, 1963), pp. 203-4, 341, pl. 65). Though it remains an open question, the wood used for the stock of the Martin pair—either a padauk or rosewood of medium quality—and the quality of the their decorative finishes compared to the Heylins suggests that the Martin pair was indeed made entirely in or at least finished in Lucknow, following the pattern of the Heylin pistols and using mounts (or their molds) that were at the time over ten years old.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。