卡尔瓦里山 - 美国大都会艺术博物馆展品查阅

品名（中）	卡尔瓦里山
品名（英）	Calvary
入馆年号	2019年，2019.43a–g
策展部门	美国之翼（The American Wing）
创作者
创作年份	公元 1785 - 公元 1795
创作地区	原产国: 危地马拉（Country of Origin: Guatemala）
分类
尺寸	整体: 21 5/8 × 36 1/4 × 13 3/8 英寸 (55 × 92 × 34 厘米); Christ: 16 15/16 × 13 3/4 英寸 (43 × 35 厘米); Cross: 32 11/16 × 18 7/8 英寸 (83 × 48 厘米); Virgin Mary: 高: 16 15/16 英寸 (43 厘米); Saint Mary Magdalene: 高: 11 13/16 英寸 (30 厘米); Saint John the Evangelist: 高: 17 5/16 英寸 (44 厘米)
介绍（中）	这件作品体现了危地马拉雕塑闻名遐迩的视觉品质，即雕刻的精致和多色的绚丽色彩。髑髅地是不止一位艺术家的作品，每位艺术家都擅长其制作的不同方面。准备木材和雕刻单个人物的雕塑家或雕塑家要么出售未上漆的它们，要么将它们转让给分包画家完成。多色是由精通两种不同技术的艺术家完成的，这些技术通常由专门模拟肉体（encarnación）或模仿纺织品（estofado）的不同画家执行。在第一种情况下，画家任务的字面意思是"制造肉体"或"化身"人物。另一位艺术家，一位银匠，创造了装饰人物的荆棘和光环的王冠。危地马拉髑髅地是意大利出生的商人在西班牙港口城市加的斯建立的国内演讲厅的核心。雕塑的丰富材料以及它是从海外以巨大的代价带来的事实是声望和社会区别的标志。雕塑的展示不仅标志着主人的虔诚，还表明了他对卡雷拉德印第亚斯的专业参与以及他接触美洲著名财富的机会。
介绍（英）	This work exemplifies the visual qualities for which Guatemalan sculpture is renowned, namely, the refinement of its carving and the brilliant color of its polychromy. The Calvary is the work of more than one artist, each skilled in a different aspect of its production. The sculptor or sculptors who prepared the wood and carved the individual figures either sold them unpainted or transferred them to subcontracted painters for completion. The polychromy was accomplished by artists skilled in two distinct techniques, which were often executed by different painters who specialized in the simulation of flesh (encarnación) or the imitation of textiles (estofado). In the first case, the literal meaning of the painter’s task was to "make flesh" or to "incarnate" the figure. Yet another artist, a silversmith, created the crown of thorns and halos that adorn the figures. The Guatemalan Calvary served as the centerpiece of a domestic oratory established by an Italian-born merchant in the Spanish port city of Cádiz. The material richness of the sculpture and the fact that it had been brought from overseas at great expense were marks of prestige and social distinction. Display of the sculpture signaled not only the owner’s piety, but his professional engagement in the Carrera de Indias and his access to the famed wealth of the Americas.