《优雅花集》（Reikashū）中的诗，其中一幅有香味的纸碎片（Kōshi gire） - 美国大都会艺术博物馆展品查阅

品名（中）	《优雅花集》（Reikashū）中的诗，其中一幅有香味的纸碎片（Kōshi gire）
品名（英）	Poem from the Collection of Elegant Flowers (Reikashū), one of the Scented-Paper Fragments (Kōshi-gire)
入馆年号	2018年，2018.853.1
策展部门	亚洲艺术（Asian Art）
创作者	Kodai no Kimi (Koōgimi)【967 至 1033】【日本人】
创作年份	公元 1034 - 公元 1066
创作地区
分类	书法（Calligraphy）
尺寸	图像: 8 3/16 × 4 13/16 英寸 (20.8 × 12.3 厘米) 整体 with mounting: 50 13/16 × 14 5/8 英寸 (129 × 37.1 厘米) 整体 with knobs: 50 13/16 × 16 5/16 英寸 (129 × 41.4 厘米)
介绍（中）	在平安时代，随着书法在日本假名文字而不是汉字（汉字）的演变和开花，以chirashi gaki（分散书写）模式题写诗歌变得很流行，垂直的书写线从页面上的不同高度开始。这首完全用日本音节假名写成的转录诗歌展示了平安时代后期许多精致书法作品中出现的细笔线条和草书字符之间的偶尔联系。这件作品归功于Kodai no Kimi（也称为Koōgimi），一位活跃于10世纪末至11世纪初的宫廷女士和诗人。她是一位皇室王子的妻子和两位皇帝的侍女，后来被列入受人尊敬的——主要是男性——著名诗人群体的行列，被称为三十六诗仙。
介绍（英）	During the Heian period, with the evolution and flowering of calligraphy in Japanese kana script as opposed to Chinese characters (kanji), it became fashionable to inscribe poetry in the chirashi gaki (scattered writing) mode, with the vertical lines of writing beginning at different heights on the page. This transcribed poem, written entirely in the Japanese syllabic kana, displays the fine brush lines and occasional linkage between the cursive characters that appears in many of the refined calligraphic works of the late Heian period. This piece is attributed to Kodai no Kimi (also known as Koōgimi), a court lady and poet active from the late 10th through the early 11th century. The wife of an imperial prince and lady-in-waiting to two emperors, she was later included in the ranks of the revered—and predominantly male—grouping of famous poets known as the Sanjūrokkasen, or Thirty-six Poetic Immortals.