白袍坎农、坎赞和吉托库三联画 - 美国大都会艺术博物馆展品查阅

品名（中）	白袍坎农、坎赞和吉托库三联画
品名（英）	Triptych of White-robed Kannon, Kanzan, and Jittoku
入馆年号	2018年，2018.853.4a–c
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1300 - 公元 1399
创作地区
分类	绘画（Paintings）
尺寸	图像 (a): 33 3/8 × 15 1/16 英寸 (84.8 × 38.3 厘米) 整体 with mounting (a): 69 1/2 × 20 13/16 英寸 (176.5 × 52.9 厘米) 整体 with knobs (a): 69 1/2 × 22 13/16 英寸 (176.5 × 57.9 厘米) 图像 (b): 33 5/16 × 14 1/16 英寸 (84.6 × 35.7 厘米) 整体 with mounting (b): 69 1/2 × 19 7/8 英寸 (176.5 × 50.5 厘米) 整体 with knobs (b): 69 1/2 × 21 7/8 英寸 (176.5 × 55.6 厘米) 图像 (c): 33 5/16 × 14 3/16 英寸 (84.6 × 36 厘米) 整体 with mounting (c): 69 1/2 × 17 1/2 英寸 (176.5 × 44.5 厘米) 整体 with knobs (c): 69 1/2 × 21 7/8 英寸 (176.5 × 55.6 厘米)
介绍（中）	这幅三联画的中心人物代表白袍观音，这是禅宗中流行的慈悲观音菩萨的一种形式。像往常一样，菩萨坐在水体上方的岩石海角上，周围环绕着光晕般的光芒。悬垂的树枝和背景中岩石沟壑的暗示由柔和的水墨笔触暗示。观音两侧画作中两个衣衫褴褛、看起来有些狂野的人物是观音和吉德，这是禅宗传说中的两个准历史怪人。这三个人物都是日本禅宗水墨单色画的热门主题这种白袍观音的构图源自 14 世纪与禅宗一起传入日本的中国水墨画。由伟大的中国僧侣艺术家木齐（活跃于 13 世纪末至 14 世纪初）绘制的三联画中的观音似乎是许多日本演绎该主题的模型。在室町时代（1392-1573 年），蓬头垢面的怪人 Kanzan 和 Jittoku 成为禅宗艺术家的热门主题，这幅三联画代表了日本绘画中对这对夫妇的早期描绘。
介绍（英）	The central figure in this triptych represents the White-robed Kannon, a form of the compassionate bodhisattva Kannon that was popular in Zen Buddhism. As is usual with this subject, the bodhisattva is shown seated on a rocky promontory above a body of water, surrounded by a halo-like radiance. An overhanging branch and hints of a rocky ravine in the background are suggested by soft, washy ink brush strokes. The two disheveled, somewhat wild-looking figures in the paintings flanking the Kannon are Kannon and Jittoku, two quasi-historical eccentrics from Zen legend. All three figures were popular subjects for Zen-inspired ink monochrome painting in Japan This type of composition for the White-robed Kannon derived from Chinese ink paintings on the subject that came to Japan along with Zen Buddhism in the 14th century. The Kannon from a triptych painted by the great Chinese monk-artist Muqi (active late 13th to early 14th century) appears to have served as a model for many Japanese renditions of the subject. The unkempt eccentrics Kanzan and Jittoku became popular subjects for Zen artists during the Muromachi period (1392–1573), and this triptych represents a very early depiction of the pair in Japanese painting.