墨梅 - 美国大都会艺术博物馆展品查阅

品名（中）	墨梅
品名（英）	Ink Plum
入馆年号	2018年，2018.853.5a, b
策展部门	亚洲艺术（Asian Art）
创作者	Heisen (Byōsen) Myōshitsu【1450 至 1480】【日本人】
创作年份	公元 1400 - 公元 1480
创作地区
分类	绘画（Paintings）
尺寸	图像: 34 1/16 × 13 1/16 英寸 (86.5 × 33.2 厘米) 整体 with mounting: 62 1/2 × 17 1/2 英寸 (158.8 × 44.5 厘米) 整体 with knobs: 62 1/2 × 19 5/16 英寸 (158.8 × 49.1 厘米)
介绍（中）	一根梅枝仍然被雪覆盖，但开始开花，一根盛开的梅枝被描绘在这对悬挂的卷轴中，每根卷轴的右下边框都带有艺术家的深红色印章。梅花在中国和日本都象征着春天的到来，是日本季节性诗歌中经常出现的主题，但随着中国梅花水墨画传入日本，它们成为禅宗水墨画家的热门主题。在左边的画作中，被洗涤包围的空白空间代表雪和新出现的花朵;右侧卷轴具有更扫荡的深色墨水笔触。关于平泉明志，人们知之甚少，他是古贺比子（1850年左右出版的艺术家传记"词典"）中提到的画家，除了他是一名禅宗僧侣。像他那个时代的其他禅宗水墨画家一样，他显然受到宋代（960-1279）和元朝（1260-1368）的中国水墨画家的影响。
介绍（英）	A branch of plum still covered with snow but beginning to blossom, and a plum branch in full bloom are depicted in this pair of hanging scrolls, each of which bears a single crimson seal of the artist along the lower right-hand border. Plum blossoms were symbolic of the arrival of spring in both China and Japan, and were a frequent subject in Japanese seasonal poetry, but following the arrival of Chinese ink paintings of plums in Japan, they became a popular subject for Zen ink painters. In the left-hand painting, blank space surrounded by wash represents snow and the newly emerging blossoms; the right-hand scroll features more sweeping brush strokes of dark ink. Little is known about Heisen Myōshitsu, a painter mentioned in the Koga Biko (a biographical “dictionary” of artists published around 1850), save that he was a Zen monk. Like other Zen ink painters of his era, he was clearly influenced by Chinese ink painters of the Song (960–1279) and Yuan (1260–1368) dynasties.