恩尼天皇在新年鼠年的第一天前往富瑙卡亚马 - 美国大都会艺术博物馆展品查阅

品名（中）	恩尼天皇在新年鼠年的第一天前往富瑙卡亚马
品名（英）	Emperor Enyū’s Outing to Funaokayama on the First Day of the Rat in the New Year
入馆年号	2018年，2018.853.33
策展部门	亚洲艺术（Asian Art）
创作者	Reizei Tamechika【1823 至 1864】【日本人】
创作年份	公元 1800 - 公元 1868
创作地区
分类	绘画（Paintings）
尺寸	图像: 61 13/16 × 37 1/2 英寸 (157 × 95.3 厘米) 整体 with mounting: 93 11/16 × 44 3/8 英寸 (238 × 112.7 厘米) 整体 with knobs: 93 11/16 × 46 3/8 英寸 (238 × 117.8 厘米)
介绍（中）	这幅带有浅色的水墨作品描绘了 10 世纪恩佑天皇及其随行人员在新年从京都前往船冈山（一个古老的北方参考点）郊游。这件作品以柔和的笔触和水洗创作，为风景元素创作，为人物创作更精细的墨水线条，在平安时代后期和镰仓时代，在十二世纪至十四世纪的大和风格叙事绘画中具有刻意的风格前身。朝臣们穿着黑色或白色的长袍，戴着通常的高大漆朝臣帽，散布在整个构图中;两辆马车（贵族使用的牛车类型）站在前景中。艺术家Tamechika和他的画作一样迷人。他是江户时代最后几十年的重要画家，对古典大和绘画和叙事插图风格的复兴产生了影响。他制作了许多中世纪绘画的复制品，以便向公众重新介绍其风格，并崇敬古代过去的宫廷生活方式。由于幕府政权最后几年动荡的政治气候，就在帝国主权重建之前，玉知香与为幕府将军服务的朝臣和军阀的社会关系导致他在奈良附近被一群战士暗杀。
介绍（英）	This composition in ink with touches of light color depicts the 10th century Emperor Enyū and his entourage on an outing from Kyoto to the mountain of Funaokayama—an ancient reference point for the northerly direction—in the New Year. The work, created with soft brushstrokes and wash for the landscape elements and finer ink lines for the figures, has deliberate stylistic antecedents in the yamato-e style of narrative painting from the twelfth through fourteenth centuries, in the late Heian and Kamakura periods. The courtiers, robed in either black or white and sporting the usual tall, lacquered courtier’s caps, are scattered throughout the composition; two carriages (of the ox-drawn type used by aristocrats) stand in the foreground. The artist, Tamechika, is as fascinating as his paintings. He was an important painter of the final decades of the Edo period, and influential in the revival of the classical yamato-e style of painting and narrative illustration. He produced numerous copies of medieval paintings in order to re-introduce their styles to the public, and venerated the courtly lifestyle of the ancient past. Due to the volatile political climate of the final years of shogunal power, just prior to the re-establishment of imperial sovereignty, Tamechika’s social connections with both imperial courtiers and military lords in service to the shogun led to his assassination by a band of warriors near Nara.