冉冉升起的月亮 - 美国大都会艺术博物馆展品查阅

品名（中）	冉冉升起的月亮
品名（英）	The Rising Moon
入馆年号	2018年，2018.898.1
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Samuel Palmer【1805 至 1881】【英国人】
创作年份	公元 1850 - 公元 1860
创作地区
分类	印刷品（Prints）
尺寸	页: 4 5/8 × 7 5/8 英寸 (11.8 × 19.3 厘米) Mount: 11 7/8 × 8 1/2 英寸 (30.2 × 21.6 厘米)
介绍（中）	1850年，帕尔默开始制作蚀刻版画，并在1881年去世前创作了17幅版画。他利用这一媒介重新演绎和浓缩了他田园愿景核心的重要主题。《冉冉升起的月亮》是他的第一幅大型蚀刻版画，将艺术家早期肖勒姆时期的元素与意大利和德文郡之旅中的其他元素结合在一起。这位细心的牧羊人在月光下看护着他的羊群，让人想起了田园般的苏塞克斯，柏树与帕尔默在埃斯特别墅画的柏树遥相呼应，连绵起伏的山丘让人想起夏季德文郡之旅中被践踏的柏树。在这个阶段，在第六州和第七州之间，帕尔默几乎完成了1857年发布给蚀刻俱乐部流通的图像。这张照片传达了对微妙光线效果的强烈依恋，从云层反射的强烈月光到用来定义长毛羊的柔和色调，再到在环绕的景观中挑选中世纪建筑的微光轮廓。
介绍（英）	In 1850, Palmer began to make etchings and would create seventeen plates before his death in 1881. He used the medium to reprise and condense significant themes at the heart of his pastoral vision. "The Rising Moon" was the first of his large etchings and combines elements from the artist's early Shoreham period with others seen in trips to Italy and Devon. The attentive shepherd watching over his flock by moonlight recalls pastoral Sussex, the cypresses echo ones Palmer had sketched at the Villa d'Este, and the rolling hills recall those tramped over during summer tours of Devon. At this stage, between states six and seven, Palmer had nearly completed the image released to the Etching Club for circulation in 1857. The image conveys an intense attachment to subtle light effects, ranging from strong moonlight reflected by clouds to gentler tones used to define woolly sheep, and glimmering outlines that pick out medieval buildings within an enveloping landscape.