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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)战士形象
品名(英)Warrior Figure
入馆年号2020年,2020.386.2
策展部门迈克尔·洛克菲勒之翼The Michael C. Rockefeller Wing
创作者
创作年份公元 500 - 公元 800
创作地区秘鲁(Peru)
分类石雕(Stone-Sculpture)
尺寸高 2 1/8 × 宽 1 1/4 × 深 1 英寸 (5.4 × 3.2 × 2.5 厘米)
介绍(中)这个小小的绿松石雕像代表了一个站立的男性战士,头部很大,比例超过整个人物的一半大小,具有精心雕刻的特征。该人物戴着圆形耳饰,头饰的右侧右侧有一个凸起的圆形元素。头饰固定在下巴下方,向下延伸至背部。脚和右手仅有最低限度的指征。两个突出的雕刻圆形空隙可能曾经有附件或镶嵌物:一个,在正确的右臂位置,可能是用于插入战争棍棒或盾牌,现在不见了;另一个,在额头上方,可能有一个镶嵌物,现在也不见了。该人物穿着三角形缠腰布,由线性切口表示。

小型奉献绿松石雕像是从瓦里帝国幸存下来的最着名的雕塑之一,瓦里帝国在印加帝国崛起前几个世纪在安第斯山脉中部蓬勃发展。在秘鲁库斯科附近的Pikillacta瓦里遗址发现了三大群这样的雕像,可能与Spondylus壳瓣膜和其他物品一起存放。这些供品揭示了瓦里帝国仪式实践和治国方略的各个方面。Pikillacta雕像,发现在圆形的石头覆盖的坑中,或者,在一个案例中,埋在遗址正门的门槛附近,平均高度为3-4厘米(有关这种类型的类似示例,请参见入藏号1979.206.926)。


然而,这个雕像与在皮基拉塔发现的小雕像不同。据报道,它被发现在瓦里本身的首都,它比Pikillacta的例子略大,并且在服装和两个圆形空隙的存在下与众不同,其中一个肯定曾经持有战争棍棒或盾牌,也许由不同的材料制成。与似乎代表瓦里政要的皮基拉克塔例子不同,这个雕像的另一个显着特征是它的穿着与瓦里沿海邻居莫切的风格不同。特别是头饰类型,经常出现在莫切战士的描绘中。

乔安妮·白邦瑞,安德拉尔·皮尔森策展人,古代美洲艺术,2020

年延伸阅读
阿里奥拉·图尼、卡洛斯·A.和路易斯·D·特萨尔。"The Pikillacta 2004 East Gate Offer Pit," Ñawpa Pacha 31, no. 1 (2011): 1-44

Bergh, Susan E. 2012."小雕像。"在Susan E. Bergh,Luis Guillermo Lumbreras和Luis Jaime Castillo Butters等人,Wari:古代安第斯山脉的领主,第232-241页。纽约:泰晤士河和哈德逊,2012年库

克,安妮塔G."石头祖先:华里雕像中的帝国服装和等级的成语。拉丁美洲古代3,第4期(1992):341-64。
介绍(英)This small turquoise figurine represents a standing male warrior with a large head—in scale, over half the size of the entire figure—with carefully carved features. The figure wears circular ear ornaments and a headdress with a raised circular element on the proper left side. The headdress is fastened under the chin and extends down the back. The feet and proper left hand are only minimally indicated. Two prominent carved circular voids may have once held attachments or inlays: one, at the location of the proper right arm, was likely for the insertion of a war club or shield, now missing; the other, above the forehead, may have held an inlay, also now missing. The figure wears a triangular-shaped loincloth, indicated by linear incisions.

Small votive turquoise figurines are among the best-known sculptures to have survived from the Wari Empire, a polity that thrived in the Central Andes centuries before the rise of the Inca Empire. Three large groups of such figurines have been found at the Wari site of Pikillacta, near Cuzco, Peru, likely deposited as offerings along with Spondylus shell valves and other items. Such offerings reveal aspects of Wari imperial ritual practice and statecraft. The Pikillacta figurines, found in circular, stone-covered pits, or, in one case, buried near the threshold of the site’s main entrance, average 3-4 cm in height (for a similar example of this type see accession number 1979.206.926).


This figurine, however, is distinct from those found at Pikillacta. Reportedly found at the capital of Wari itself, it is both slightly larger than the Pikillacta examples, and distinctive in dress and in the presence of the two circular voids, one of which surely once held a war club or shield, perhaps made of a different material. The other striking feature of this figurine, unlike the Pikillacta examples, which seem to represent Wari dignitaries, is that it is dressed in the style of the coastal neighbors of the Wari, the Moche. The headdress type, in particular, is often shown in depictions of Moche warriors.

Joanne Pillsbury, Andrall E. Pearson Curator, Arts of the Ancient Americas, 2020

Further Reading
Arriola Tuni, Carlos A., and Louis D. Tesar. "The Pikillacta 2004 Eastern Gate Offering Pit," Ñawpa Pacha 31, no. 1 (2011): 1-44

Bergh, Susan E. 2012. "Figurines." In Susan E. Bergh, Luis Guillermo Lumbreras, and Luis Jaime Castillo Butters et al., Wari: Lords of the Ancient Andes, pp. 232-241. New York: Thames & Hudson, 2012

Cook, Anita G. "The Stone Ancestors: Idioms of Imperial Attire and Rank among Huari Figurines." Latin American Antiquity 3, no. 4 (1992): 341-64.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。