富士山 - 美国大都会艺术博物馆展品查阅

品名（中）	富士山
品名（英）	Mount Fuji
入馆年号	2020年，2020.396.31
策展部门	亚洲艺术（Asian Art）
创作者	Ike Taiga 池大雅【1723 至 1776】【日本人】
创作年份	公元 1760 - 公元 1769
创作地区
分类	绘画（Paintings）
尺寸	图像: 50 3/4 × 14 1/2 英寸 (128.9 × 36.8 厘米) 整体 with mounting: 79 1/8 × 22 7/16 英寸 (201 × 57 厘米) 整体 with knobs: 79 1/8 × 22 1/2 英寸 (201 × 57.2 厘米)
介绍（中）	日本最宏伟的山峰，其轮廓以浅灰色墨水的轮廓呈现，并用水洗巧妙地暗示体积，坐落在它面前伸展的稻田景观之上，采用了一种不同寻常的透视感，给人的印象是艺术家正在从远处和上方观看现场。构图的中心焦点是中间地带的稻田区域，细分的地块（ase 畦）以其大胆、抽象的描绘吸引眼球。整体构图乍一看非常简单，但与池泰贺语料库中的任何其他构图都不同，尽管可以与艺术家以《十二个月中的富士山》为主题的绘画中对第五个月场景的描绘进行比较。仔细观察，笔触牢固且控制良好。Taiga的一些学生，包括青木Shukuya，根据Taiga的模型创作了类似的作品，就像一代之后的冈田北三人一样。僧侣和南迦画家Geppō（1760-1839）被认为是大河血统中的第三位，仅次于Shukuya在盒子铭文上称赞这幅画，增加了其作为大贺学生效仿的作品的声望。
介绍（英）	Japan’s grandest peak, with its contours rendered in outlines of pale gray ink with washes to subtly suggest volume, sits above a landscape of rice paddies stretched out before it—employing an unusual sense of perspective that give the impression that the artist was viewing the scene from faraway and above. The central focus of the composition is the area of rice paddies in the middle ground with the subdivided plots (ase 畦) drawing the eye with their bold, abstracted depiction. The overall composition, disarmingly simple at first glance, strikes one as different from anything else in in Ike Taiga’s corpus, though comparisons can be made with depictions of Fifth Month scenes from sets of paintings done by the artist of the theme of Mount Fuji in Twelve Months. Looking closely the brushwork is firm and well controlled. Some of Taiga’s students, including Aoki Shukuya created similar compositions based on Taiga’s model, as did Okada Beisanjin a generation later. The monk and Nanga painter Geppō (1760–1839), considered third in the Taiga lineage after Shukuya praised this painting on the box inscription, adding to its cachet as a work that was emulated by Taiga’s pupils.