学者桌上的老鼠 - 美国大都会艺术博物馆展品查阅

品名（中）	学者桌上的老鼠
品名（英）	Rats on a Scholar’s Desk
入馆年号	2020年，2020.396.34
策展部门	亚洲艺术（Asian Art）
创作者	Nagasawa Rosetsu 長澤蘆雪【1754 至 1799】【日本人】
创作年份	公元 1794 - 公元 1795
创作地区
分类	绘画（Paintings）
尺寸	图像: 50 3/16 × 16 1/4 英寸 (127.5 × 41.3 厘米) 整体 with mounting: 80 3/8 × 22 15/16 英寸 (204.2 × 58.3 厘米) 整体 with knobs: 80 3/8 × 25 3/16 英寸 (204.2 × 64 厘米)
介绍（中）	三只老鼠爬在学者的低矮红漆桌子上和下面，堆满了缝合的书籍散落在它的表面和下面。陶瓷花瓶里装着孔雀和鹰的羽毛以及一根红珊瑚茎，所有这些都适合装饰文人的书桌。但是蜘蛛已经织网了，这表明已经有很长时间没有人查阅这些大部头了。点缀的笔触创造了一种既逼真又具有装饰性的效果。这幅作品色彩缤纷，俏皮俏皮，与罗津已知的语料库中的其他作品都大不相同（尽管艺术家的全部作品仍有待研究），似乎受到江户时代后期流行的上海风格绘画或木版画和书籍插图的启发，这些作品已通过长崎传播。这种多色似乎与艺术家广岛时期（1794-95）及之后不久的作品相对应，那时他已经培养了一批富有的客户，喜欢在丝绸上创作彩色画作，例如这一时期的宝井山画作和东京国立博物馆的"中国美人"。
介绍（英）	A trio of rats crawls upon and under a scholar’s low red-lacquer table, with piles of stitch-bound books scattered over its surface and beneath. A ceramic vase holds peacock and hawk feathers and a stem of red coral, all appropriate for a decoration of a desk of a literatus. But spiders have spun webs, suggesting it has been a long while since anyone consulted these tomes. Punctilious brushwork creates an effect that is at once realistic yet decorative. This composition, so colorful and playful, is quite unlike anything else in Rosetsu’s known corpus (though the full range of the artist’s output remains to be investigated), and seems to be inspired by Shanghai-style paintings or woodblock prints and book illustrations popular in the late Edo period, which had been transmitted through Nagasaki. The polychromy seems to correspond to works of the artist’s Hiroshima period (1794–95) and shortly after, by which time he had a cultivated a wealthy clientele for colorful paintings on silk, for example the Mount Hōrai paintings of this period and the Tokyo National Museum’s “Chinese Beauty.”