缅甸改编的《罗摩衍那》中的场景 - 美国大都会艺术博物馆展品查阅

品名（中）	缅甸改编的《罗摩衍那》中的场景
品名（英）	Scenes from the Thiri Rama, the Burmese adaptation of the Ramayana
入馆年号	2021年，2021.91
策展部门	亚洲艺术（Asian Art）
创作者	U Paw Hnyun【缅甸人】
创作年份	公元 1870 - 公元 1885
创作地区
分类	纺织品（Textiles）
尺寸	图像: 79 英寸 × 14 ft. 7 1/2 英寸 (200.7 × 445.8 厘米)
介绍（中）	这种壮观的大型贴花纺织品描绘了缅甸版罗摩衍那的场景，即蒂里罗摩。它属于缅甸绘画纺织艺术的一个鲜为人知的传统，似乎在Konbaung王朝的最后几十年，在敏东国王（1853-78年在位）和他的儿子Thibaw Min（在位1878-85）统治期间经历了重大复兴缅甸最后的国王。这些图案帷幔被称为kalaga，这是缅甸语kant-lant-kar的缩写，指的是水平隔断或屏幕。这些场景的灵感来自缅甸对罗摩衍那的渲染，这与直接衍生的暹罗版本和瓦尔米基的梵文原版都不同。然而，纺织品并没有呈现单一的叙事，而是描绘了选定的亮点，这些亮点专注于叙事中最受欢迎的时刻。戏剧的主要角色拉玛、西塔和拉瓦纳多次出现。卡拉加被刻为"受人尊敬的大师[艺术家]U Paw Hnyun"的作品。
介绍（英）	This spectacularly large appliqué textile depicts scenes from the Burmese version of the Ramayana, the Thiri Rama. It belongs to a little-studied tradition of Burmese pictorial textile art that appears to have undergone a major revival in the final decades of the Konbaung dynasty, during the reigns of King Mindon (r. 1853–78) and his son, Thibaw Min (r. 1878–85), the last kings of Myanmar. These pictorial hangings became known as kalaga, which is an abbreviated corruption of the Burmese word kant-lant-kar, referring to a horizontal partition or screen. The scenes are inspired by the Burmese rendering of the Ramayana, which differs from both the Siamese versions from which it is immediately derived and from Valmiki's Sanskrit original. Rather than present a single narrative, however, the textile depicts selected highlights that focus on the most beloved moments in the narrative. The principal characters of the drama, Rama, Sita and Ravana, appear multiple times. The kalaga is inscribed as the work of ‘the respected master [artist] U Paw Hnyun.’