在永恒之门 - 美国大都会艺术博物馆展品查阅

品名（中）	在永恒之门
品名（英）	At Eternity's Gate
入馆年号	2021年，2021.240
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Vincent van Gogh【1853 至 1890】【荷兰人】
创作年份	公元 1882
创作地区
分类	印刷品（Prints）
尺寸	页: 23 1/16 × 15 3/8 英寸 (58.6 × 39 厘米)
介绍（中）	平版印刷术在梵高职业生涯的早期就让他着迷，但由于经济限制，他很少印刷。《在永恒之门》是他第一次版画创作活动中极为罕见的幸存者之一，1882年11月，他创作了六幅石版画。他的抱负是出版一系列三十幅版画，向广大读者传播他的作品，并赢得杂志编辑的关注，希望能获得插画师的委托。这幅版画在这群人中脱颖而出，因为艺术家赋予它的精神重量，由标题和模特绝望的姿势相结合所唤起。在他的整个职业生涯中，这对他来说仍然很有意义：他给巴黎留下了深刻的印象，并不厌其烦地把它框起来。然后，在1890年，在圣雷米的收容所，他做了一个基于版画的绘画（Kröller-Müller博物馆）。这是他唯一一幅用油画复制的版画。
介绍（英）	Lithography fascinated Van Gogh early in his career, but he made very few prints due to financial constraints. "At Eternity’s Gate" is one of the very rare survivals of his first printmaking campaign during which he produced six lithographs in November 1882. His ambition was to publish a series of thirty prints in order disseminate his work to a broad audience and to earn the attention of magazine editors in the hope of receiving commissions as an illustrator. This print stands out among the group for the spiritual weight the artist attached to it, evoked by the combination of the title with the despairing pose of the model. It remained meaningful to him throughout his career: he brought an impression with him to Paris and went to the trouble of having it framed. Then, in 1890 while in the asylum in Saint-Rémy, he made a painting based on the print (Kröller-Müller Museum). It is the only one of his prints that he copied in oil.