微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)匕首(卡塔尔)
品名(英)Dagger (Katar)
入馆年号1936年,36.25.1009
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1601 - 公元 1700
创作地区原产国: 印度, 泰米尔纳德邦, 坦加布尔(Country of Origin: India, Tamil Nadu, Thanjavur)
分类匕首(Daggers)
尺寸长 21 3/4 英寸 (55.2 厘米); 宽 5 英寸 (12.7 厘米); 重 2 磅. 3 盎司 (992.2 g)
介绍(中)印度教印度的众神和女神远非冷漠和冷漠,而是表现出广泛的相互冲突的人类情感:喜悦和愤怒,同情和嫉妒,嫉妒和爱。此外,像他们的人类奉献者一样,他们会产生后代。这些神圣的孩子中最重要的一个是湿婆的儿子,在印度南部被称为Subrahmaņya,但在印度其他地方更熟悉的是Kārttikeya,Skanda或Kumāra。他生来就是为了对抗恶魔和指挥天上的军队,他在伟大的印度教宗教史诗中履行了这些职能。因此,他通常被认为是印度教的战神。像其他主要神灵一样,Subrahmaņya骑着一种超自然的动物,或vāhana(字面意思是"车辆"),在他的情况下是peaock Paravāņi。Subrahmaņya是印度南部最受欢迎的神,在那里被提升为至高无上的神,甚至超过了他的父亲湿婆。因此,这个独特的南印度卡塔尔大胆雕刻的孔雀剑柄很可能是为了通过描绘他的骏马帕拉瓦尼来指代战神。

在印度南部的Subrahmaņya和Paravāņi的雕塑中,孔雀经常出现一条或多条眼镜蛇的喙,另一条眼镜蛇的爪子紧握。这些帕拉瓦尼制服蛇的图像可能象征着苏布拉赫曼亚作为众神捍卫者的角色。同样,这只卡塔尔剑柄上的孔雀喙里夹着一对眼镜蛇的尾巴,几乎就像是它神圣骑手的缰绳。据说帕拉瓦尼是苏布拉赫曼亚和巨人苏拉之间的战斗的结果。在战斗中,苏拉把自己变成了一棵树,苏布拉马尼亚用他的长矛将树一分为二。两半被变成了孔雀帕拉瓦尼和一只公鸡,两者都成为神的永恒象征。

这枚卡塔尔来自一小群非常独特的南印度武器,这些武器是十九世纪中叶从坦焦尔(坦贾武尔)的前皇家军械库的遗迹中打捞出来的(另见第36.25.1540号)。与卡塔尔一样,该组中的其他武器突出地具有宗教符号,例如毗湿奴的脉轮(铁饼)和湿婆的帕沙(绞索)。大多数幸存的Tanjore作品被划分为马德拉斯政府博物馆和大都会艺术博物馆。
介绍(英)Far from being cold and aloof, the gods and goddesses of Hindu India exhibit a broad range of conflicting human emotions: joy and anger, compassion and envy, jealousy and love. Moreover, like their human devotees they produce offspring. One of the most significant of these divine children is the son of Shiva, known in southern India as Subrahmaņya but more familiar elsewhere in India as Kārttikeya, Skanda, or Kumāra. He was born to combat demons and to command the heavenly armies, functions he fulfills in the great Hindu religious epics. Thus he is generally regarded as the Hindu god of war. Like the other major deities, Subrahmaņya rides a supernatural animal, or vāhana (literally, "vehicle"), which in his case is the peaock Paravāņi. The most popular deity in southern India, Subrahmaņya was elevated there to the level of supreme god, outranking even his father, Shiva. It is likely, therefore, that the boldly sculptural peacock hilt of this unique south Indian katar was intended to refer to the war god by depicting his steed, Paravāņi.

In sculptures of Subrahmaņya and Paravāņi from southern India, the peacock is frequently shown with one or more cobras in its beak and another clenched in its talons. These images of Paravāņi subduing serpents probably symbolize Subrahmaņya's role as the defender of the gods. Similarly the peacock on the hilt of this katar holds in its beak a pair of cobras by their tails, almost as if they were reins for its divine rider. Paravāņi is said to have been created as a result of a battle between Subrahmaņya and the giant Sura. During the fight Sura changed himself into a tree, which Subrahmaņya split in two with his spear. The two halves were transformed into the peacock Paravāņi and a rooster, both of which became enduring symbols of the god.

This katar comes from a small group of highly distinctive southern Indian weapons that were salvaged from the remains of the former royal armory in Tanjore (Thanjavur) in the mid-nineteenth century (see also acc. no. 36.25.1540). Like the katar, other weapons in the group prominently feature religious symbols, such as the chakra (discus) of Vishnu and the pāsha (noose) of Shiva. The majority of the surviving Tanjore pieces are divided between the Madras Government Museum and The Metropolitan Museum of Art.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。