陶罐（罐） - 美国大都会艺术博物馆展品查阅

品名（中）	陶罐（罐）
品名（英）	Terracotta amphora (jar)
入馆年号	1963年，63.11.6
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者	Andokides
创作年份	公元前 530
创作地区
分类	花瓶（Vases）
尺寸	高 22 5/8 英寸 (57.5 厘米)
介绍（中）	在主体正面，赫拉克勒斯和阿波罗争夺德尔菲三脚架的所有权，这是阿波罗神谕的核心；背面，酒神Dionysos，介于萨提尔和麦纳德之间在嘴唇、正面和背面，赫拉克勒斯和涅米安狮子红色人物技术的引入归功于Andokides的作坊。虽然我们主要从绘画的角度来看待红色人物，但它与黑色人物的不同之处还在于花瓶上有釉和无釉表面的分配非常不同。这些表面的制备可能是陶工的责任，因此，这项新技术与陶工而非画家有关。在一些结合了红色人物和黑色人物的作品中，一位画家似乎同时做到了这两件事；然而，在这里，可能有两位不同的艺术家。正面的场景描绘了英雄赫拉克勒斯手持棍棒，阿波罗神手持弓箭，在赫拉克勒斯试图带走的德尔菲三脚架上挣扎。
介绍（英）	On the body, obverse, Herakles and Apollo vying for possession of the Delphic tripod, which was central to the oracle of Apollo; reverse, Dionysos, the god of wine, between satyr and maenad On the lip, obverse and reverse, Herakles and the Nemean Lion The introduction of the red-figure technique is attributed to the workshop of Andokides. While we think of red-figure mainly in terms of drawing, it differs from black-figure also in the very different apportionment of glazed and unglazed surfaces on a vase. The preparation of these surfaces was probably the responsibility of the potter, and for this reason, the new technique is associated with a potter rather than a painter. On some works combining red-figure and black-figure, a single painter seems to have done both; here, however, two different artists are likely. The scene on the obverse depicts the hero Herakles with his club and the god Apollo with bow and arrows, struggling over the Delphic tripod, which Herakles sought to carry off.