右臂抬起的裸男身材 - 美国大都会艺术博物馆展品查阅

品名（中）	右臂抬起的裸男身材
品名（英）	Nude Male Figure with Upraised Right Arm
入馆年号	1961年，61.123.3
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Girolamo Romanino【1484 至 1560】【意大利人】
创作年份	公元 1550 - 公元 1560
创作地区
分类	图画（Drawings）
尺寸	11-5/8 x 6-9/16 英寸 (29.5 x 16.7 厘米)
介绍（中）	这幅画的历史归属于罗马诺，这要归功于18世纪的米兰收藏家和鉴赏家Sebastiano Resta，他在这张纸的顶部注释了"Gerolamo Romanino Prattico/Pittore Bresciano"（Resta的亲笔签名得到了Carmen Bambach的认可，并于2005年得到了Alessandro Nova的认可，见此处参考书目）。雅各布·比恩接受了弗洛伦斯·科索夫的建议，即这可能是对罗马尼诺在1534-35年间为皮索涅圣母玛利亚教堂绘制的《基督降临林博》场景中亚当形象的预备研究。这幅画和皮索涅壁画一样，可能可以追溯到罗曼诺生命的最后十年（鉴于艺术家可能的死亡日期，之前公布的日期约为1574年似乎不正确）。在卡门·班巴赫看来，这幅画和皮索涅壁画之间的相似之处似乎是一般的，而不是直接的；男性形象的姿势和体型似乎大不相同（Furio Rinaldi，2014，基于Carmen C.Bambach 2005年6月的策展评论）
介绍（英）	The historical attribution of this drawing to Romanino is due to the Milanese Eighteenth-century collector and connoisseur Sebastiano Resta, who annotated the sheet on top "Gerolamo Romanino Prattico / Pittore Bresciano" (Resta's autography was recognized by Carmen Bambach and endorsed by Alessandro Nova in 2005, see here Bibliography). Jacob Bean accepted Florence Kossoff's proposal that this might have been a preparatory study for the figure of Adam in the scene of Christ's Descent into Limbo, painted by Romanino between 1534-35 in a fresco cycle for the church of Santa Maria della Neve, Pisogne. The drawing, like the Pisogne fresco, probably dates from the last decade of Romanino's life (the previously published date of ca. 1574 seems incorrect in view of the artist's probable death date). In Carmen Bambach's opinion, the resemblance between the drawing and Pisogne fresco seems generic rather than direct; the poses and physical types of the male figures seem quite different. (Furio Rinaldi, 2014, based on a curatorial remark by Carmen C. Bambach of June, 2005)