死去的基督被天使哀叹 - 美国大都会艺术博物馆展品查阅

品名（中）	死去的基督被天使哀叹
品名（英）	Dead Christ Lamented by an Angel
入馆年号	1961年，61.658.11
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Jan Muller【1571 至 1628】【荷兰人】
创作年份	公元 1590 - 公元 1600
创作地区
分类	印刷品（Prints）
尺寸	页: 8 9/16 × 7 1/16 英寸 (21.8 × 18 厘米)
介绍（中）	扬·穆勒（Jan Muller）是最受欢迎的风格主义版画之一。雕刻十六世纪末和十七世纪初主要艺术家的作品。《天使哀悼的死去的基督》是穆勒唯一一幅直接基于意大利艺术家设计的版画。雅各布·利戈齐（Jacopo Ligozzi）为佛罗伦萨美第奇家族工作的多产艺术家，这幅版画现藏于汉堡美术馆（编号21236）。它与印刷品的方向相同，有人建议将其送到阿姆斯特丹的穆勒那里由他雕刻。这幅版画是穆勒在 1590 年代中后期和 1600 年代初制作的少数夜景之一。它们包括吉利斯·科伊格内特之后的最后晚餐（2018.839.109），亚伯拉罕·布洛马尔之后的拉撒路复活（49.95.578）和穆勒的两个原创设计，伯沙撒的盛宴（51.501.6341）和贤士的崇拜（51.501.6340和67.810.2）。与他在荷兰风格主义者和布拉格鲁道夫二世宫廷艺术家之后为他的版画完善的精湛词汇相反，穆勒在这里有意识地模仿利戈齐绘画中精致的笔线，以创造光与影的精心平衡。
介绍（英）	Jan Muller was one of the most sought-after Mannerist printmakes. engraving the compositions of the leading artists of the late sixteenth and early seventeenth centuries. The Dead Christ Lamented by an Angel is Muller’s only print based directly on a design by an Italian artist. The drawing for the print by Jacopo Ligozzi, a prolific artist working for the Medici in Florence, is in the Kunsthalle, Hamburg (inv. no. 21236). It is in the same direction as the print, and it has been suggested that it was sent to Muller in Amsterdam to be engraved by him there. The print is one of only a handful of night scenes that Muller made in the mid- to late 1590s and early 1600s. They include the Last Supper after Gillis Coignet (2018.839.109), The Raising of Lazarus after Abraham Bloemart (49.95.578) and two original designs by Muller, Belshazzar’s Feast (51.501.6341) and the Adoration of the Magi (51.501.6340 and 67.810.2). In contrast to the virtuosic vocabulary he perfected for his prints after the Dutch Mannerists and artists from the court of Rudolf II in Prague, here Muller consciously imitates the delicate pen lines of Ligozzi’s drawing, to create the careful balance of light and shadow.