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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)锻造厂的“刮裂”
品名(英)"Trotting Cracks" at the Forge
入馆年号1963年,63.550.277
策展部门绘画和印刷品Drawings and Prints
创作者Currier & Ives【1857 至 1907】【美国人】
创作年份公元 1869
创作地区
分类印刷品(Prints)
尺寸图像: 19 1/8 × 29 1/8 英寸 (48.6 × 74 厘米) 图像 and text: 20 7/8 × 29 1/8 英寸 (53 × 74 厘米) 页: 23 5/8 × 33 1/2 英寸 (60 × 85.1 厘米)
介绍(中)纳撒尼尔·柯里尔(Nathaniel Currier)和他的搭档詹姆斯·艾夫斯(James Ives)制作了7000多幅不同的石版画,其中包括近700幅为狂热的赛马公众拍摄的小跑场景,这些公众想要廉价的小跑英雄的照片。这幅版画展示了蹄铁匠工作室的内部,马匹在那里等待着穿上新的马蹄铁。在左边,一个留着胡子的铁匠穿着红色衬衫和皮围裙,站在一个燃烧的壁炉旁(两侧是两个大风箱);附近是铁砧,铁匠在那里把热熨斗做成定制尺寸的马蹄铁。在右边,两匹马侧身站立,其中一匹马是灰色的(在钥匙上被识别为灰鹰),在一个海湾后面[荆棘女士]。一名蹄铁匠将一块马蹄铁锤入桑恩夫人的后蹄,一名坐在树桩上的留着胡子的老人(中)、一名站着的男孩拿着一只苍蝇wisk(从后面看)和一名坐坐在桶上的男子(右边)看着他。背景中,一名新郎牵着另一匹深色的海湾马[山地男孩]走近。在右边的背景中,一名男子靠着一个敞开的入口站着;远处,一名黑人新郎骑马离开,另一名骑手走近蹄铁匠铺。这幅版画没有描绘出令人兴奋的比赛场景,而是描绘了三匹华丽的马(正如标题所示,是快速的小跑者)在一个普通的情况下,他们得到了"跑鞋",由专业技能和马匹知识都很高的人精心制作和安装

Currier于1835年在纽约成立了一家成功的光刻公司,他制作了数千幅不同尺寸的手绘版画,共同描绘了19世纪中后期美国生活及其历史的生动全景。人们急切地获得了这样的石版画,这些石版画以风景如画、乡村和城市景观、船只、铁路、肖像、狩猎和捕鱼场景、家庭生活和许多其他主题为特色,作为装饰他们的家或商业机构的一种廉价方式。随着公司的扩张,纳撒尼尔让他的弟弟查尔斯也加入了公司。1857年,詹姆斯·梅里特·艾夫斯(James Merritt Ives,自1852年起担任该公司的会计师,也是查尔斯的妹夫)被任命为商业合伙人;随后更名为Currier&;艾夫斯公司被称为"美国人民的版画家",一直持续到1907年。
介绍(英)Nathaniel Currier, and his partner James Ives, produced over 7,000 different lithographs, including almost 700 trotting horse scenes for an avid racing public who wanted inexpensive pictures of their trotting heroes. This print shows an interior of a farrier's workshop, where horses await being fitted with new horseshoes. At left, a bearded blacksmith wearing a red shirt and leather apron stands beside a flaming fireplace (flanked between two large bellows); nearby is the anvil, where the blacksmith shapes hot iron into custom-sized horseshoes. At right, two horses stand in profile -- one grey [identified in the key as Grey Eagle] behind a bay [Lady Thorn]. A farrier hammers a horseshoe into the rear hoof of Lady Thorn, while being watched by an elderly bearded man seated on a tree stump (center), a standing boy holding a fly wisk (shown from behind), and a man seated on a barrel (at right). In the background, a groom approaches with another darker bay horse [Mountain Boy]. In the right background, a man stands leaning against the side of an open entry; beyond, a Black groom rides away on horseback, while another rider approaches the farrier's shop. Rather than feature an exciting racing scene here, this print presents three magnificent horses (speedy trotters as the title suggests) in an ordinary situation where they get their "running shoes," made and carefully fitted by men who were highly skilled in their professions and knowledge of horses.

Currier, whose successful New York-based lithography firm began in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life and its history. People eagerly acquired such lithographs featuring picturesque scenery, rural and city views, ships, railroads, portraits, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments. As the firm expanded, Nathaniel included his younger brother Charles in the business. In 1857, James Merritt Ives (the firm's accountant since 1852 and Charles's brother-in-law) was made a business partner; subsequently renamed Currier & Ives, the firm, which became known as "the printmakers to the American people," continued until 1907.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。