微信公众号 
图码生活

每天发布有五花八门的文章,各种有趣的知识等,期待您的订阅与参与
搜索结果最多仅显示 10 条随机数据
结果缓存两分钟
如需更多更快搜索结果请访问小程序
美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
读取中
读取中
读取中
品名(中)方形钢琴
品名(英)Square Piano
入馆年号1889年,89.4.2910
策展部门乐器Musical Instruments
创作者Johann Matthäus Schmahl【1734 至 1793】【德国人】
创作年份公元 1790
创作地区德国(Germany)
分类齐瑟敲击钢琴(Chordophone-Zither-struck-piano)
尺寸整体: 82.5 x 111 x 42.3厘米 (32 1/2 x 43 11/16 x 16 5/8英寸)
介绍(中)这架钢琴琴壳的形状被做成像一把侧躺着的竖琴。据说莫扎特在旅行中带着这样一架钢琴练习。Schmahl将这种类型的乐器称为liegende harfe或竖琴钢琴。这种乐器可能是为了模仿当时流行的锤击扬琴而制作的,尤其是由演奏家Hebenstreit Pantaleone著名的潘塔隆琴。键盘上有两个旋钮,一个控制静音,另一个在琴槌和琴弦之间插入皮片。通过将这两个停止符结合使用,该乐器具有更熟悉的钢琴音色。每一个幸存的这种形式的仪器都有不同的设计,这表明Schmahl是一次建造一个,而不是分批建造。这些实用的乐器代表了德国南部发展主流之外的地方工艺

技术说明:不规则梯形外壳,由涂漆和/或涂漆软木制成,四个转向支腿,;指南针C-f3(54键);黑色的自然色,在两对刻痕线之间有缺口的头部,浮雕纸或羊皮纸正面;骨头在黑色污渍上滑落;响板在键杆上延伸;表壳下边缘凹陷的落板和压痕;带弯曲前固定螺母销的厚挂接销导轨,带从螺母销向上弯曲到挂接销的琴弦,未穿孔的长方形调谐销;面板和框架结构的盖子,带有与面板边缘接壤的饰条;表壳的右侧从前面向内弯曲,然后向外弯曲,最后是一个连接背面的直片;键盘上方的两个手柄,左侧启动竖琴停止,右侧控制琴弦上方非常靠近琴桥的静音(sordin)毡衬板;原始的英德行动,没有擒纵机构,没有盖子的锤子,锤柄绕纵向肠线转动;通过机箱后部的开口移除动作;无阻尼器;全程单串,无缠绕线;粘在响板下的黑色和红色墨水手稿碎片;染色和涂漆的云杉吸音板,厚度小于1毫米;后盖开口上方的面板丢失。
介绍(英)The shape of the case of this piano is made to resemble a harp lying on its side. Mozart supposedly carried a piano like this for practicing on his travels. Schmahl referred to this type of instrument as a liegende harfe, or harp piano. This type of instrument was probably made to imitate the hammered dulcimers that were popular at the time, especially the type known as pantalons, made famous by the virtuoso player Hebenstreit Pantaleone. There are two knobs over the keyboard, one controls a mute and the other interposes leather tabs between the hammers and strings. By using these two stops together, the instrument has a more familiar piano sounding tone. Each of the surviving instruments of this form is of a different design, indicating that Schmahl was building them one at a time and not in batches. These utilitarian instruments typify provincial workmanship in southern Germany, outside the mainstream of development.

Technical description: Irregular trapezoidal case of painted and/or varnished softwood on four turned legs,; compass C-f3 (54 keys); black stained naturals, heads notched between two pairs of score lines, embossed paper or parchment fronts; bone slips over black stained accidentals; soundboard extending over key levers; concave fallboard and indentation at lower edge of case; thick hitchpin rail with curved front holding nut pins, with strings bending upwards from nut pins to hitchpins, unpierced oblong tuning pins; lid of panel-and-frame construction with moldings bordering panel edges; right side of case curving inward from front, then outward, ending with a straight piece joining the back; two handstops over keyboard, left activating a harp stop, right controlling a mute (sordin) - felt-lined board above strings very close to bridge; primitive Anglo-German action with no escapement, uncovered hammers, hammer shanks pivoted on longitudinal gut cord; action removed through opening at rear of case; no dampers; single-strung throughout, no wound strings; fragments of black and red ink manuscript glued under soundboard; stained and varnished spruce soundboard less than 1 mm thick; panel over back case opening missing.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。