曼陀林 - 美国大都会艺术博物馆展品查阅

品名（中）	曼陀林
品名（英）	Mandolino
入馆年号	2008年，2008.2a, b
策展部门	乐器（Musical Instruments）
创作者
创作年份	公元 1710
创作地区	意大利（Italy）
分类	长笛拨弦琴（Chordophone-Lute-plucked-fretted）
尺寸	21 1/16 × 5 × 2 11/16 英寸 (53.5 × 12.8 × 6.9 厘米)
介绍（中）	这幅典型的罗马曼陀林，有六根双道肠弦、十三根交替的乌木和象牙肋骨，上面刻有花卉雕刻，还有一个镰刀形的钉子盒，展示了它的携带盒。这是安东尼奥·维瓦尔第为之写下他众多曼陀林协奏曲的曼陀林类型。玫瑰中的双鹰很可能是指威尼斯和帕多瓦的德国蒂芬布鲁克人。Magno Tieffenbrucker（1500-1560）在威尼斯用这种鹰来标记他的琵琶，在那里他拥有一座名为"L'aquila nera"的房子。这件乐器可能不是由著名的蒂芬布鲁克家族的成员制作的，而是由一位遵循其琵琶生产传统的制造商制作的，从威尼斯和帕多瓦的中心移除。指板在十八世纪被加宽，以容纳目前的六个球场，从原来的建筑到五个球场。该乐器类似于在柏林和罗马发现的乔瓦尼·弗朗切斯科·斯莫松的曼陀林。技术描述：水滴形主体，云杉顶部两部分，玫瑰与双鹰; 乌木颈纵向镶嵌两块长方形象牙斑块，边缘饰有珍珠母点，牌匾曾经刻有; 曲线钉盒以镰刀形顶端终止，珍珠母镶嵌象牙，红木贴面的背面带有珍珠母镶嵌点和心形; 椭圆形黄杨木钉; 六道菜（五门双门课程和一门单门课程）高音）;象牙和红木桥;碗由十三根交替的紫檀木肋骨制成，刻有象牙，带有乌木边框;交替模式在颈部和钉盒下侧的单板中继续;原始的，形式贴合的皮革覆盖木箱（仅保留盖子上的皮革）L盖子，带有压花和镀金漩涡装饰，填充有格子状的交叉影线。
介绍（英）	This typical Roman mandolin, with six double courses of gut strings, thirteen alternating ribs of ebony and ivory with floral engravings, and a sickle-shaped peg box, is shown with its carrying box. It is the type of mandolin for which Antonio Vivaldi wrote his numerous mandolin concerti. The double eagle in the rose is most likely refers to the German Tieffenbruckers in Venice and Padua. Magno Tieffenbrucker (1500–1560) used this type of eagle to mark his lutes in Venice, where he owned a house called “L’aquila nera.” The instrument was probably not made by a member of the famed Tieffenbrucker family, but by a maker following the tradition of their lute production, removed from their centers of Venice and Padua. Indicating a long playing life, the fingerboard was widened in the eighteenth century in order to accomodate its current six courses from its original construction with five courses. The instrument is similar to mandolins by Giovanni Francesco Smorsone found in Berlin and Rome. Technical description: Teardrop shaped body with two-part spruce top and rose with a double eagle; ebony neck inlaid lengthwise with two rectangular ivory plaques bordered with mother-of-pearl dots, plaques once engraved; curvilinear pegbox terminating with sickle-shaped finial with mother-of-pearl inlay bordered by ivory, the back of the pegbox of rosewood veneer with mother-of-pearl inlaid dots and hearts; oval boxwood pegs; six courses (five double courses and one single course in the treble); ivory and rosewood bridge; bowl made of thirteen alternating ribs of rosewood and engraved ivory with ebony borders; alternating pattern continues in veneer on underside of neck and peg box; original, form fitted leather covered wood case (only leather on lid remains)l lid with embossed and gilded cartouches filled with lattice-like cross-hatching.