阿蒙霍特普一世首脑的救济 - 美国大都会艺术博物馆展品查阅

品名（中）	阿蒙霍特普一世首脑的救济
品名（英）	Relief with the Head of Amenhotep I
入馆年号	1945年，45.2.7
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 1525 - 公元前 1504
创作地区	可能来自: （Probably from: ）
分类
尺寸	高 46 × 宽 44 × 深 8.3 厘米, 25.8 kg (18 1/8 × 17 5/16 × 3 1/4 英寸, 56.8 磅)
介绍（中）	这幅浮雕左上角的残缺浮雕保留了阿蒙霍特普这个名字的最后一个字母。在第18王朝，有四位国王用这个名字，意思是"阿蒙满意了"。从保存的侧面可以清楚地看到这里描绘的国王的身份。鼻子和短上唇的形状几乎与博物馆收藏的阿蒙霍特普一世（26.3.30a）的头部轮廓相同（见其他照片）。这些作品中的相似之处，一个是二维的，另一个是三维的，表明埃及国王的图像可能是基于官方认可的肖像，将可识别的特征结合到理想化的君主肖像中阿蒙霍特普一世和他在新王国的大多数继任者一样，对卡纳克的阿蒙神庙进行了建筑扩建。这座寺庙与Deir el Bahri隔河相望，略以北，其轴线与Hatshepsut和Mentuhotep II的寺庙平行。阿蒙霍特普对卡纳克的扩建在古代被拆除，现在保存在许多博物馆中。通过研究埃及和国外的碎片，埃及学家已经能够确定其中一面墙上装饰着两个国王打击敌人的场景——这是寺庙墙上的典型场景。这里显示的浮雕片段似乎是其中一个场景的一部分。
介绍（英）	The fragmentary cartouche in the upper left-hand corner of this relief preserves the last letter of the name Amenhotep. In Dynasty 18, there were four kings with this name which means "Amun is satisfied." The identity of the king depicted here is clear from the preserved profile. The shape of the nose and the short upper lip are almost identical to the profile of a head of Amenhotep I, 26.3.30a, in the Museum's collection (see additional photographs). The similarities in these works, one in two-dimensions and the other in three, demonstrate that images of an Egyptian king were probably based on an officially sanctioned likeness that combined recognizable features into an idealized portrait of the monarch in question. Amenhotep I, like most of his successors in the New Kingdom, made architectural additions to the temple of the god Amun at Karnak. This temple was across the river from and slightly north of Deir el-Bahri, and its axis was parallel to the temples of Hatshepsut and Mentuhotep II. Amenhotep's additions to Karnak were dismantled in ancient times and are now preserved in a number of Museums. By studying the fragments in Egypt and abroad, Egyptologists have been able to determine that one wall was decorated with two scenes of the king smiting his enemies – a typical scene on temple walls. The fragment of relief shown here appears to have been part of one of these scenes.