强盗中的救世者罗莎 - 美国大都会艺术博物馆展品查阅

品名（中）	强盗中的救世者罗莎
品名（英）	Salvator Rosa among the Brigands
入馆年号	2019年，2019.279.5
策展部门	绘画和印刷品（Drawings and Prints）
创作者	Adolphe Pierre Riffaut【1821 至 1859】【法国人】
创作年份	公元 1844 - 公元 1859
创作地区
分类	印刷品（Prints）
尺寸	页: 11 13/16 × 16 3/4 英寸 (30 × 42.6 厘米) Plate: 7 5/16 × 10 5/8 英寸 (18.5 × 27 厘米) 图像: 5 11/16 × 8 7/16 英寸 (14.5 × 21.5 厘米)
介绍（中）	在 1840 年代，意大利巴洛克画家萨尔瓦托·罗莎（Salvator Rosa）在英国和法国被誉为原始浪漫主义艺术家，尤其以描绘崎岖风景中的土匪而闻名，例如岩石海岸的土匪，1655-60 （134.137).罗莎自己的生活故事与他的题材混为一谈，并出版了传记，如摩根夫人的《救世主罗莎的生活和时代》（1824 年）讲述了他自己在阿布鲁齐山区被土匪俘虏的神话。这幅版画复制了 Guignet 根据他在 1844 年沙龙展出的这个故事创作的一幅画（现已丢失）。1844 年 3 月 24 日发表在《L'Artiste》杂志上的评论指出："强盗中救世主罗莎的故事与亚当和夏娃的故事一样广为人知。吉格内特的名声与罗莎息息相关。诗人和评论家查尔斯·波德莱尔（Charles Baudelaire）甚至在1845年和1846年的沙龙评论中评论了他们作品之间的亲和力。
介绍（英）	During the 1840s, the Italian Baroque painter Salvator Rosa was celebrated in Britain and France as a proto-Romantic artist known especially for his depictions of bandits in rugged landscapes, such as Bandits on a Rocky Coast, 1655–60 (134.137). Rosa's own life story conflated with his subject matter and published biographies such as Lady Morgan’s "The Life and Times of Salvator Rosa" (1824) recounted the myth of his own capture by bandits in the Abruzzi mountains. This print reproduces a painting (now lost) by Guignet based on this tale that he exhibited in the Salon of 1844. The commentary accompanying its publication in the journal "L'Artiste" on March 24, 1844 stated, "The story of Salvator Rosa among the brigands is as well known as that of Adam and Eve." Guignet's reputation became closely associated with Rosa. Poet and critic Charles Baudelaire even remarked upon the affinity between their works in his Salon critiques of 1845 and 1846.